TO BE A THEIST, THE AUTHOR ARGUES, IS TO CONSTRUE THE WORLD AS A WHOLE ON THE MODEL OF A RATIONAL AGENT’S ACTIVITIES. CHRISTIAN THEISM IS CHARACTERISED BY PARTICULAR CLAIMS AS TO MATTERS OF FACT: GOD IS (A) THAT WHICH IS SAID TO MAKE ALL THINGS, (B) THE OBJECT OF RELIGIOUS EXPERIENCE, (C) THAT WHICH WILL ULTIMATELY BRING ABOUT A STATE OF JUSTICE, (D) THAT WHICH BROUGHT IT ABOUT THAT JESUS LIVED, DIED AND ROSE FROM THE DEAD. MEYNELL CONTENDS THAT (...) THIS IS A LOGICALLY COHERENT IDEA AND SHOWS WITH REFERENCE TO THE DEPENDENT CONCEPTS OF GRACE, EVIL, PRAYER, PROVIDENCE, MIRACLE AND THE AFTER-LIFE THAT THE CHRISTIAN FAITH HAS ESCHATOLOGICAL TRUTH-CONDITIONS. (BP). (shrink)

An English eccentric and an agitated dean -- Mr. McGregor's garden -- I banish you -- Vultures and ostriches -- Post mortem.

The Nature of Aesthetic Value proposes that aesthetic goodness, the property in virtue of which works of art are valuable, is a matter of their capacity in appropriate circumstances to give satisfaction. It inquires into the nature of this satisfaction, arguing that it consists of the extension and clarification of consciousness. This provides a basis for treatment of the ancient problem of the relation between cultivation of the arts and the pursuit and maintenance of the true and the good. The (...) book summarizes critics' judgments and arguments on literature, the visual arts, and music, testing the author's theory about the nature of aesthetic opinion. (shrink)

Focusing on the Aristotelian framework, the author defends 'Soft Utilitarianism' as combining the principle of happiness with the principle of fairness, being careful to note that these two features of a proper ethical theory cannot be reduced one to the other in the decision making process.